24 Nov 2009 0
FORMAT: ‘The Monastery’ with Adam Kemp
Written by Patrick Hazard

Worth Abbey from the BBC TV Series 'The Monastery'. Photo: worthabbey.net
Documentary as a genre has become a staple of television programming. Every evening, audiences can expect to see anything from the drinking habits of British teenagers to radicalisation in the Muslim community. Although varied in content, the form and presentation of these films has become convergent. It is not only the constraints of the slot, being a national broadcast and thus speaking to a general audience, but also the way they are constructed. There is a standardisation occurring in the narrative arc and the use of music. How can an audience engage with a topic if the frame is predictable and rigid? And is there room for authorship by the filmmaker given the constraints set by commissioning editors?





